The Hudson River is alive with art. I attended the opening reception of The Glyndor Gallery show Nature Pops.
“A half-century after the emergence of Pop art as a revolutionary response to new norms of consumerism, Nature Pops!, Wave Hill’s summer 2016 exhibition, brings together work by artists who calibrate this movement in contemporary terms. Continuing to re-evaluate popular culture, particularly the increasing mediation of our experience by technology, artists question whether we can still have an authentic experience―even in the natural world. Interpreting nature and the environment through a populist lens, Nature Pops! includes recent work that is especially relevant in an age of digital overload and environmental crisis. Presenting the show at Wave Hill, a stunning garden and cultural center located in the Riverdale section of the Bronx, adds particular depth and dimension to the discussion.
Nature Pops! affirms the fascination that the aesthetics of pop culture—the culture of everyday—still has for artists, but offers nuanced perspectives, sometimes subversive, sometimes playful. Cartoons and comics were accessible media that Pop artists elevated to fine-art status in the 1960s and ’70s. ”
There is a tremendous amount of talent in the Bronx and the Hudson Valley. If you have not been to Wave Hill you are missing a world of nature and art. It is a hidden gem in the Bronx. My friend, Jamie Passevento, a fellow artist friend and I attended the opening of the above exhibition. It was exciting and colorful. It was a fun show expressing nature in the form of the Pop Art movement. Here’s the art and artists who participated in the show.
EMILIO PEREZ – his unique prints inspired by outer space.
KIRA NAM GREENE – amazing paintings in watercolor, gouache, and colored pencils. Kira weaves incredible patterns with food in Pop Art tradition ala Warhol.
AMY PRYOR – Amy uses collage, sculpture and painting to explore commerce and culture.
JOANNE CARSON – extremely colorful paintings of flora and landscapes.
GABRIEL DE GUZMAN – Curator
I have learned that waiting to be inspired to create art can be a very long wait. Days. Weeks. Years. Decades.
I don’t wait for inspiration I start it. With a DOODLE.
The following art began with a squiggly line and the path it took.
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As an artist in today’s art world I make sure I get out and learn what other artists are doing to be successful with their art. I posted the lecture I attended at the National Arts Club on how artists are using Instagram to promote their work.
I took a seat in the front row as I always do and that put me within a foot of the handsome face of Sam Horine, one of the guest speakers Sam radiated a sense of true authenticity and confidence without ego I’m good at picking up “artistic ego driven” vibes A couple of them sat next to me. You know the kind. They think they’re the most talented artists around. They are usually seniors belonging to prestigious art clubs and have been going to art school forever. They desperately want to be famous and sell their art. Behind me sat a prominent (that’s how he was introduced) sculptor who has been known in the art world. I tried to engage in a conversation but was dismissed. They always look down their noses when they dismiss you right!
STOP…back to the real topic of this post…Sam. Why I want to put him on my blog is that he is an example of an artist who creates because it is his soul. And he is an artist who is open to all people. He is adjunct professor at NYU teaching photography. He is a successful freelance photographer working with major companies. Best of all he is SAM and his work is expressive of the integrity I felt being across the table from him.
The artist savage next to me questioned him with “are you selling on Instagram ?” He graciously replied that he doesn’t use Instagram as a tool to sell. He said it was more important to use it to show his work to a large audience. That being said the senior artist savage grumbled and I know she won’t be using Instagram.
Here’s to Sam Horine. An artist in the true sense of the word.
His website: http://www.samhorine.com knock out photography
Yesterday I was told no one registered for my iPad painting workshop in January at the Riverdale Senior Center . The National Association of Women Artists are moving and cannot start my workshop till March. No word about my proposal for iPad art classes at the Blue Door Gallery.
It’s bleak. I’m afraid of never creating a successful business with a vision that will serve people. Yesterday I was thinking that maybe my vision won’t work and I should let it go. Look for a job I thought forget art you have failed and you need money to survive. My old belief returned “I can’t support myself in my art”. HELP
But my gut keeps saying don’t give up!! PERSERVERANCE IS KEY! I always give up. I run when the going gets tough.
I really have not pursued other organizations. My perception is my idea is no good. That is not the truth. I have gotten acceptance from the directors of the organizations. It’s being able to promote it to the people. Maybe seniors are not it. I see that they won’t try new things. They are really set in their ways. They are missing out on something that will be a wonderful experience. But I can’t reach stubborn minds. I must reach younger audiences. The answer is go somewhere else.
MY VISION IS VALUABLE. I DON’T WANT TO GIVE UP ON IT.
THIS IS A STORY ABOUT THE ARTIST YASOU KUNIYOSHI AND HOW I BECAME AN ART DETECTIVE.
“At the League my life began to take on a real meaning. . . . I had a great hunger for friends and companionship as a natural reaction to my lonely wanderings. At the League I found the warmth and kindness which I sorely needed.”— Yasou Kuniyoshi
When Yasuo Kuniyoshi began studying in New York City at the Art Students League in 1916 he tried and failed to get into George Bellows’ popular painting class. Instead, he studied with Kenneth Hayes Miller, who proved to be a valuable influence on Kuniyoshi’s artistic trajectory. Soon after assuming the role of teacher himself in 1933, also at the Art Students League, Kuniyoshi’s own classes became difficult to get into. He was immensely popular with his charges. In the classroom, he engaged students with questions about process and subject matter, not just technique, encouraging them to develop a curiosity about how to represent their unique experiences of the world. This method mirrored his own approach to painting.
I was giving private painting class to a wonderful woman who had visual impairment due to a double stroke. She abandoned herself to creativity and the painting expanded her life. We worked for 2 years in her home and her work was so special because of her impairment. It was a joy to watch
What does that have to do with Kuniyoshi?
When I used the bathroom in my client’s home, I kept looking at an interesting framed print there. It was an unusual drawing and I kept thinking this is something important. I looked at the signature one visit and could make it out as Kuniyoshi. I knew Kuniyoshi because he was a former Art Students League instructor in the 1940’s. I had studied his work on on the internet as I became educated in various artists who were not well known. Upon Discovering the signature, I found out my client bought it many years ago in a flea market for next to nothing. I told her what I knew about the artist and said she might have an original print that was valuable. I told her to take it out of the bathroom immediately to prevent any more water damage. Then we searched the Internet and YES it was his print from a series. Now we needed to find out if it was original. My client made an appointment with a Sotheby’s print specialist.
And according to Sotheby’s IT IS AN ORIGINAL!!! The value $8,000. She removed the old frame had it framed and it is over the couch. She had a treasure and it was hiding in the bathroom. I’m grateful that I could see the treasure due to my art knowledge.
Why Kuniyoshi is an artist I admire is because he taught his students to PUT YOURSELF IN THE ART.
WHAT’S IN YOUR BATHROOM?
Here is the print my client owns: